Art is a Superweapon

50 Cent Piece, by Basquiat50 Cent Piece, by Jean-Michel Basquiat

We generally think of art as beautiful, but perhaps nonessential. Or it’s essential for the soul, if you go for that sort of thing. “Man does not live by bread alone,” and so forth. But we don’t think of it as essential for survival. At a meetup the other day, an artist even told me that they thought art served needs fairly high on Maslow’s Hierarchy. But, you know, there is evolution and natural selection. And selection pressure doesn’t allow maladaptive traits to hang on. Why haven’t the fools who waste time and energy on art been outcompeted and removed from the gene pool by wiser, soulless working machines? It’s a conundrum, it is.

Go ask our venerable futurist thought leader, Robin Hanson, and he will tell you, oh well, this is the Dreamtime, don’t you know? This rich, industrialized era is an aberration and we will soon return to the Malthusian equilibrium that has dominated all human and animal life throughout time. Malthus envisions us as stupid animals, reproducing until we’ve eaten every spare scrap of food around us and are forced into abject misery. I get chafed at the very mention of Malthus and his empirically bereft theories, but that’s a battle for another day. I find it generally makes sense to listen carefully to Hanson, and I try to understand what he has to say.

But then Scott Alexander, the bard of the rationalists, came out with his Moloch piece a few years ago, and shaped an entire narrative incorporating these Malthusian and Hansonian ideas, and really it was just too much for me. He is a great writer, this Alexander, and the rationalists all around me consumed his narrative with relish, experiencing not the slightest indigestion. I was left to gnash my teeth quietly off in the hinterlands of Oakland, wrestling with my intuition. I tasted of this Moloch soup, but I could not keep it down.

How can art be a maladaptive thing? Evolution doesn’t allow maladaptive traits to persist in populations. Even if it’s only a very small handicap, evolution will remove a trait over time. But there are periods of relaxed selection, and these correspond to explosions of diversity. Weeds will grow while the gardener sleeps. So perhaps that explains it. Oh, sad story. That thing you value, that song that compels you to dance, that dance you do in spastic ecstasy, are all for naught. The gardener will soon awaken and trim such foolishness away. Selective pressure will increase once again, and all of us who wasted effort dancing will end up in the soup pots of those who didn’t squander their fitness on such frivolity.

And if we look at the world in a certain way, it looks like it’s filled with maladaptive behavior. Surely this is a time of superstimuli and dysgenic birth control and porn. The wise look sadly on and see relaxed selection at work. Tisk, tisk, such a pity. But, you know, a proper skeptic kicks the tires of his own conceptual framework now and then, and, hark, what is this we find? A crack in the narrative? Do you know what looks a lot like relaxed selection? I will tell you, it’s positive adaptation. How confident can we be that we actually know what’s adaptive and what isn’t? Surely having the most children possible is the most adaptive strategy, yes? Then how did we end up with various parental investment strategies? (Some people having lots of kids and giving them only a little attention, and some people having only a few kids and giving them lots of attention.) Hmm. Wait a minute! Maybe even frivolous art is a POSITIVE adaptation. Not a thing to feed the soul, but a thing to feed the belly.

Some people think that the only way that art could be adaptive is if it helped an artist personally by making them more attractive to mates or allowing them to trade art for food. But let’s look at very early human art, such as the drawings cavemen made when they were going to hunt large prey. These drawing might have been hunting plans. And, in that case, the tribes who made these drawings (art) would outcompete those that didn’t. And yes, like the biologist E.O. Wilson, I believe that there is such a thing as groups outcompeting other groups.

Art has beauty that draws us to it and this connects us as tribes. When we dance together, we form bonds. And this was as true around paleolithic campfires as it is today at Gilman Street punk rock shows. So here I will present to you some mechanisms by which art may be a positive adaptation.

1) Art Speaks the Language of the Subconscious
A few years ago, I went to a rationality workshop put on by CFAR. At this workshop, there was much talk of Kahneman’s model of two major ways in which the mind works. System 1 roughly corresponds to the subconscious or the preconscious mind, and is the realm of fast, effortless thinking, intuition, and emotions. System 2 is conscious thought and is slow and effortful and where we expect logic and planning to occur. Surprisingly to me, CFAR seemed more concerned with System 1 than with System 2. System 1 seems to be where motivation comes from. So a lot of effort was devoted to getting System 1 to align with System 2 goals, so that you actually feel motivated to do things today which have payoffs far in the future.

What the hell does this have to do with art being adaptive? I’m glad you asked. See, the instructors at CFAR think one way of getting messages into System 1 is to use very exaggerated and sense-based imagery. So if you want to remember to check the mail when you get home, perhaps you should picture a massively distorted mailbox and imagine the crisp scent of paper. Isn’t it interesting how much art has these same properties? Novels contain a lot of exaggerated language about sensory experiences and vocals contain exaggerated emotion. It may be that art is memorable to the degree that it takes advantage of this exaggerated, System 1 communication. And it is a unique channel in this regard. Scientific or mathematical writing is fairly bereft of this.

2) Art Populates the Database of Experience with Novel Patterns
Another interesting CFAR exercise was CoZE (Comfort Zone Expansion). The goal was to get everyone to try new things and gain new experiences. System 1 functions as a pattern matcher, and populating your subconscious with more patterns will make it more powerful. So you can go and try new things all the time, which is hard. OR you can go and virtually gain new experience by reading stories, listening to songs, or looking at crazy paintings and sculptures. And who knows what use these strange patterns will end up serving? Musk disdains such metaphorical thinking, but see how much technology mimics the things we observe in nature. Bell’s telephone was inspired by the workings of the inner ear, and deep learning is patterned after the neural networks of our own brains.

Perhaps reading about how a love affair goes awry in Shakespeare will inform our own love lives. In The Better Angels of Our Nature, Pinker suggests that one mechanism of our evolving morality might be literature and the arts, which gives us insights into the minds of others. Or, stranger yet, perhaps we will hear some weird pattern in a song that inspires us to create a new technology that no one has imagined yet.

3) Art Reduces Communication Costs
Aside from the raw potential of art to populate our subconscious with patterns and inspire us, art often serves as a substrate for coordination. Entire subcultures have arisen around shared admiration for music or comic books. How does art facilitate this coordination at punk rock shows or cosplay conventions? One mechanism is the reduction of communication costs. Art provides narratives that allow people to situation themselves within. Punk rock is an expression of postmodern dissatisfaction with the fakery of conformist, consumer culture. Punks don’t need to explain all of this to one another (although they certainly delight in doing so) because they can refer to a single song to express an entire range of ideas.

Eliezer Yudkowsky has used art to good effect to coordinate an entire subculture of rationalists around his HPMOR fan fiction. I haven’t read it myself, but I don’t know how many times I’ve heard a rationalist refer to Quirrel and have seen the others in the group nod sagely. If only I had read HPMOR, I could have gotten the point. Entire modes of approaching problems can be summed up in a single fictional character.

We even see narratives at work coordinating corporate culture. Peter Thiel is famous for this, naming his companies after artifacts from Tolkien’s world. Palantir is a seeing stone in Tolkien’s fiction, created for good, but turned to evil. Palantir, the company, offers analytic software to the government and perhaps Thiel wants to warn his people to heed the cautionary tale that Tolkien intended. Mithril Capital references Tolkien’s precious metal, which has a beauty that never tarnishes or grows dim. Not hard to see what sort of investments they would be seeking.

Of course every field has shared jargon that compacts a lot of bigger ideas and serves the purpose of reducing communication costs. But the beauty of art is that its metaphorical nature makes this jargon more generalizable, allowing it to cut across disciplines.

4) Art Appreciation Demonstrates Shared Values
Art has also served as a way to demonstrate shared values. See how closely art was tied to the church in the Middle Ages. Or how gospel songs bound together the protesters of the Civil Rights Movement. It seems a shame that modern artists aren’t providing the Black Lives Matter movement with more compelling art to disarm their right wing opponents. And of course this is true in subcultures as well. Fellow goths know that darkness lives in your soul when you display your Joy Division t-shirt.

So art really has all sorts of traits that make it seem like a positive adaptation, not just a maladaptive trait that survives due to weak selection pressure. So what? Well, I know that I have neglected art in my own life recently, and this thesis makes me see it in a new light. Art isn’t merely a pleasant diversion. Art appreciation binds us to others in our tribe and populates our subconscious with powerful experiences. It serves as a substrate for coordination that sinks deeply into our souls (err, System 1’s) and can inspire and motivate us like no mere mission statement. So we should take up art, not only for its beauty, but also with a proper concern for our own self-interest. Art is a powerful superweapon. Take that, Moloch.

Drawing on the Right Side of the Brain

My girlfriend Gretchen has been working through Drawing on the Right Side of the Brain by Betty Edwards, and she decided to write a blog post about it.  I understand that “left” and “right” brain designations are somewhat outdated.  But there does seem to be some sort of mapping between the idea of an intuitive right brain and Kahneman‘s idea of System 1, while the rational left brain maps to System 2.

I haven’t read Edwards’ book myself, but one key idea that jumps out is that our preconceived notions of the things we are seeing can prevent us from perceiving them accurately.  This idea has been borne out somewhat by those transcranial magnetic stimulation experiments where subjects are able to draw much better when their left anterior temporal lobe is temporarily disrupted.  Though in those experiments they appear to be drawing from memory instead of from life, so this connection may be tenuous.

But this poses an interesting problem.  We seem to need abstractions of reality in order to reason about it, but these abstractions necessarily discard information.  The map is not the territory and all that (though reasoning (rationality) is not the sum of cognition).  Get Monica Anderson on the phone!  She loves these holism/reductionism quandries.  Of course the radical enactivists would have us discard the idea of cognition as representation altogether.  So they might deny something at the very heart of the map/territory argument: cognition requires representation.  I have to look up the enactivist take on rationality.  But they do love the idea that perception is self-directed.  It’s probably useful to keep in mind that our own conceptual frameworks are continually constraining our vision.  Though we may or may not be able to avoid that entirely.

Jersey Shore is better than cat burning.

I met a friend for a chat this evening and we walked down Piedmont avenue having the aristocrat vs commoner argument.  I am not sure I fully understood his position, but it seemed to be that something was lost as the European landed aristocracy was supplanted by democracy.  Sophisticated statescraft honed across centuries was cast aside and replaced with what? (cough – there used to be two new wars a year there, for 600 years)  Democrats are nothing but unwashed merchants and tradesmen with no sense of decorum.  I have had a similar argument at the Less Wrong party before the Singularity Summit.  One fellow there was arguing that democracies have led to a spiritual decay.  I get confused when these hard rationalists start throwing the word “spiritual” around so I asked for clarification.  Another participant supplied this example: Spirituality is the idea that Wagner is in some way superior to Britney Spears.

Ah, these reactionaries, they do strike a chord don’t they?  This recollection recalls to mind the great Moldbug-Hanson debate of Foresight 2010.  Moldbug said bring back the monarchs (Steve Jobs for Dictator!) and Hanson said let the markets rule us.  I guess I have to side with Hanson’s markets though my heart more truly lies with the democrats throughout history who have distributed the decision making power beyond the elites.  But I digress from my digression.

As we walked down Piedmont avenue this evening, the topic turned to Culture.  “Surely no artist today could match the majesty of the Sistine Chapel?” my friend asked.  So we have lost something.  Well I guess that’s true, but the sponsors of this wondrous propaganda piece also gave us the charming Inquisition:

for punishment does not take place primarily and per se for the correction and good of the person punished, but for the public good in order that others may become terrified and weaned away from the evils they would commit

Good stuff.  Besides, I haven’t seen it in person, but that Sistine Chapel art doesn’t really speak to me. I don’t much go for that tacky Italian stuff with panel mushed upon panel and every nook and cranny bursting with cherubs and whatnot.  And I have some reservations about this God fellow that plays a prominent role.   What about us humans down here?  I can’t get into classical music much either, certainly not that overblown Wagner stuff.  I might literally prefer Britney.  I can handle a nice mellow Brahms sonata here and there, but since we can still access classical culture, what have we really lost?

Art should give expression to those things we are feeling but cannot express.  “Are we so stunted emotionally?” asked my friend?  Yes!  Those of us who cannot paint or dance or write literature or play music are all stunted.  We cannot express ourselves in these media, so the artist that shows us something we can relate to in film or music or art has given a new voice to our yearning and suffering and joy.  This is a gift of illumination.  Damn, it makes me want to go look at art or something.

That’s when a bunch of Mills College students butted into the conversation.  Some lamented this loss of culture, others saw a paternalistic threat in this yearning (justified or not.)  One young woman (who I will call the Liberal) brought up the good point that great art is certainly being made now, but we can’t see which of it is timeless until it’s been tested by time.  She did mention Coltrane as a likely candidate.  Certainly some scribblers worthy of note have emerged in this uncouth age.

The Liberal’s sparring partner (the Conservative) countered that we are isolated from one another and distracted by trivialities like “Jersey Shore.”  So we can’t talk to one another and our attention spans have decayed to 140 characters.  The Liberal defended the great pluralism of the USA and pointed out that she saw the Conservative take part in the community of a music show.  I agree with this. At one time no peasant could travel more than 20 miles from their place of birth.  They had no choice but to accept the religion and culture of their village.  But today we have the freedom to go and find our own intentional communities or just Futurist meetups as the case may be.  Sure the old culture offered comfort, and freedom is hard but the old cultures mostly sucked actually.

Take genital mutilation.  That’s cultural.  I place it right along side of the Sistine Chapel as an example of culture.  Most of the Mills Students agreed that we need to take the good and leave the bad behind in regard to the old cultures.  But I wonder how divisible cultural artifacts truly are.  Is the Sistine Chapel integrally linked to oppression and Inquisition?  Can the beauty really be expunged of the horrors that funded it and the message it inheres?  Some things were lost with the passing of Culture.  Some horrible things along with the great.

No, things are not perfect now.  I am not thrilled that half the world still lives on less than $1,225 a year.  Call me a Whig, but I am with Pinker on the whole progress thing.  Sure Jersey Shore plays on our primate need to determine the status of others, but it’s a hell of a lot better than burning cats for entertainment.